The Green Hour

L'heure Verte

We travel south, driving for a half an hour, studying yellow headlights that dust over unplanted tobacco fields and following the progression to corn. As the double lines are whittled down to just paved road, I wait to see another set of headlights pass us. Tenitively an opossum lifts a pink nose, winks like a flash bulb from the roadside and skulks out of our radiance. We land the bridge and while the rest of the travelers look for dim colors moving on the river below, I search for a lamplight fluttering from the Skinner House.

But no one sleeps on the mountain.


Entering the city alone, and a hand turns the radio volume down.


I don't know where we were going, and I don't ask. I hear the warm tires revolve as we pass under the only traffic light in town. The boy driving the car raises two fingers and points to the flashing red signal as we move through it. There is a right-handed turn onto Masonic Street. Walls rise up around us as we enter the alleyway and begin a slow descent into the parking lot. The boy behind the wheel shuts off the headlights, noses up the car up against a chain link fence, stops and kills the ignition.


No one makes an attempt to exit the Buick. We sit with all the car windows rolled down listening to the cooling engine tick out a pitch that retires further and further away.


The woman in the passenger's seat puts both feet on the dash board. The boy in the driver's seat touches flame to a smoke, speaking to the night, wishing out loud for an ounce of something better, and then spits on the pavement to seal it.


His words break the silence.


Whispers and static are laid down from the radio, and beside me Rose pulls her hands from the insides of her jacket.


They are the hands of someone nervous.


She begins to give counsel to the woman in the passengers seat. I listen to the horse in her voice, and watch the wish-maker tap and scatter cigarette ash nowhere.


Rose speaks to the woman in the front seat, not a flicker of expression disturbing her features. Her fingers touch the insides of each palm, assuring each hand that it is still there.


"Tell me who you are?"


Rose says this twice, in a ragged, sincere voice.
I watch the driver tap his cigarette against the side-view mirror. Cinders hang and dither under the streetlight for the few moments before I close my eyes, and then, maybe after that my head drifts onto your lap.


Rose's left-handed fingers follow the line of my ear absently, and I hear the gravel that her voice rolls over. I listen to the rough of her voice and for the first time in a year I smell the sodden earth.


I don't open my eyes, as her fingers trace letters in the scrub of my hair.


There is a joyless break in Rose's counsel. From the backseat, eyes closed, my voice is warm in cadence. I ask the wish-maker to tell us again what it was that he saw today.


Clearing his throat, he speaks and we abandon our situation for a moment.


We listento his words.

"It was a scattering of boys, one held a broken broom handle, he was not the biggest boy, and the others...they all carried sticks. They were about eleven or twelve and out of breath. One was without a shirt, it seemed like he was the leader. Later they met up with some other boys, boys without sticks. The boy without a shirt raised his broken broom handle and shouted to all the boys.


He said, "We beat that fucker down."

Rose's hand rests on the back of my neck, and I could smell the ground thawing.


I say quietly to her, "He said pounded the first time."


She moves her hand over my mouth, and I listen to the horse in her voice tell him, "Go on."


Next

Disclaimer

I never could finish the MRL story. I didn't want to write about The Man from Senegal. I did want to write that he goes home to have dinner and chokes on a chicken bone. A bone that had been attached to a thigh that was seasoned just right with white pepper and lemon grass. I wanted to write about the directions that his legs jerked in and how that long tall body careened as he lurched out the doorway of his house. I so desired to find the correct words to describe the blue of suffocation that would bloom under his dark skin. I wanted to write about the people who pass him by, as he plucks with such long fingers at the the bone caught in his throat. How they are my own personal heros, looking away to check the time or what it was lodged under their fingernails, as he tumbled to the ground. I wanted to write about the dust that clings to the front and backside of that beautiful shirt of his, as he turns over in the street.

In the end I was not that person and that was not how the story ended.

Next
Next